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Reality Slap

I decided that I might have been studying the wrong major, ok, maybe not wrong but just not the right one. However, education is never a bad thing. Knowledge is dangerous but education, in its purest definition, is always a positive delight. I appreciate the education I receive, even when my heart yearns for something else. It’s nobody’s fault that I didn’t know what I want to do in the beginning. Instead of lamenting over past mistakes, I’m telling myself it is smarter to work around the problem. Am I being hypocrite? Am I deluding myself? Am I being mature? Probably a little of everything. No matter what, I’ll make up my mind from now on. It almost felt like an epiphany, reading Austin Kleon’s “How to steal Like an Artist.” Unlike his experience, I did get told many times, I just didn’t put enough thought into that. And now seeing those advices summed up in one post, it’s like reality has just slapped me in the face and said, “Listen real good. This is what you should do.” Not what I has to do but what I should do. And I’d better take action ASAP.

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Free-spirited

“I know the one you mean,” Gus said unexpectedly. “Interesting type. Seems to be out in all weathers and there are lines on his face than a street map, but I’ve seen him striding over the moor at a pace thats put most hikers to shame. We’ve exchanged a few words now and then; he’s intelligent and cultured, certainly not a drunk.  I would guess he’s one of those who choose a life on the road- they feel hemmed in by the walls of civilization, trapped in the kind of surroundings we would call home. A free spirit. I never realized he had a dog. I must say, this creature appears to be an appropriate companion. She looks more than half wild. A free spirit herself, no doubt.”

Jan Seigel, Prospero’s Children

Beautiful writing is beautiful. If there are free-spirit people, I want to make friend with one although it would break my heart when they leave me behind for the call of freedom.

I saw a group of bikers during St. Patrick Day. I have to admit I was intrigued to know them; some of them look harmless and almost sad despite of their filthy and creasy outfits. But then again, I’m one who’s too comfortable in the walls of civilization and polite distance. It’s very unsettling to step outside and reach out to a stranger.

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Rot & Ruin: The Real Monsters are the Ones Inside

Ben Imura never thinks Tom, his half-brother, is cool. Cool is like Charlies Pink-eye and the Hammer, the most feared and well-known zombie hunters in the town. Unlike Tom, they talk and act like real men. Meaning they tell others what they actually see out there in Rot & Ruin, the land of the undead, without flinching or mincing the words. In Ben’s point of view, those two are the real heroes. It’s hard to think of those who are able to kill thousand zoms and even combat one-on-one with them otherwise. On the other hand, Tom is anything but brave. He never talks about his job, always seems to go out of his way to steer clear of the subject. And, most importantly, Ben remembers the First Night, when humanity’s nightmares all begun, when the zombie plague started to spread out, when Tom took him and ran away, leaving their mother behind to her death. The last moments of their mother seared into his brain even when Ben was only 18 months old at the time. So obviously, he scoffs at the idea that Tom is possibly the most admirable bounty hunter around. The last thing Ben would like to do is becoming Tom’s apperantice. However, the list of jobs is running low and Ben couldn’t afford to be unemployed. Grudingly, he accepts to follow Tom into the family business. However, when Tom takes Ben out to the Rot & Ruin, he starts to see the world, his brother and even the zombies in a different light. This revelation makes Ben question: What makes a human human? And where the real mosnters live? The truth is never harder to digest. But hard it is, it’s the truth Ben has been seeking for.

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I wish I knew why

Perhaps Alan is not enchanted. Perhaps he is simply his father’s son, loving the most where there is no happiness and no hope of return to be found.

(The Demon’s Covenant – Sarah Rees Brenna)

It’s just so heart-fell. But then, a lot of times I feel like we’re addicted to the pain love brings, not necessarily love itself. The more we are rejected, the more we seem to cling onto a love. Why is it? Are we deeply masochistic or bravely stubborn?

image © Punchdouble’s Blog

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The Artist’s Daughter: It starts with a portrait

No, it doesn’t really start with a portrait, but close enough. Nora Worburn has been her own woman for years after parting way with her abusive, feckless husband; and though life in London during 1863s isn’t always breezy, Nora is content and able to afford accomodations with her writing career. That is until Oliver Worburn, her bastard of a husband returns to claim his privileges over her once again. To make matter worse, current society lends no assitance to women who try to free themselves from the tenuous grasp of male domination. And being disowned by her father, Nora is helpless against Oliver’s ploy. In desperation, she found herself accepting a handsome offer of position from the gentleman named Mark Gerrick, whose sudden appearance intrigues her wonder as well as suspicion. Gerrick offers Nora a financial support as long as she agrees to be a companion for his sister Amabel, socially disgraced by bearing a fatherless son. Off Nora goes to Devonshire, into the isolated household of the Gerricks. Soon after her arrival, she realizes that the household is riddled with scandalous rumors, including suspicion of murder, and curmudgeon tension between the Gerrick sibblings. Bits by bits, Nora comes to suspect that there is more to Mark Gerricks than meets the eyes. Is he the tyranny who seeks to control people? Is he the heartless bastard who pushed his own father to his fatal death?  And what is his motive in luring Nora to Devonshire? Gifted with keen eyes, sharp mind and a healthy dose of curiosity, the young writer slowly pushes her way to the core of the secrets. She expects treachery, however, when treachery does come, it still makes Nora unhinged…

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The Kneebone Boy: Accidental adventures are the best kind of adventures

The Hardscrabbles, as the name has suggested, is an unusual trio of siblings. There is Otto, the eldest brother, also the oddest. He doesn’t speak and is never seen without his scarf. Then there is Lucia, who is very candid sometimes people wish otherwise. And the last is Max, the youngest, who most people would deem as I-know-it-all type of kid. He is, in fact, very smart, too smart for his own sake sometimes. They all have one thing in common: a big heart for adventures. The Hardscrabble kids stick with each other since the ominously mysterious disappearance of their mother. This incident created much commotion at the time it happened, leaving uncomfortable rumors and doubts for years afterwards. As a free-lance painter, their father is often away for commissions; occasionally, he comes home with fascinating souvenirs and sketches of royals, albeit they’re all exiled or misfits. Except for the aformentioned incident, the children have been living an awfully boring life in the town called Little Tunks. Until a little incident happens and, all of sudden, the Hardscrabbles found themselves stranded in a fabulously unfamiliar and remote town by the sea. In the heart of the commotion, the path to a mystery, or mysteries, suddenly opens. And there is one that will change everything for them. Or maybe not, but it is, all things considered, still a memorable summer vacation.

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Tigerheart: It’s painful to grow up and yet…

Paul Dear is a sweet boy whose family is a perfect portrait of happiness. But that picture is broken with the disappearance of his baby sister. Through the ambiguous suggestion of the narration, one can guess that she was fatally ill. Overwhelmed with anguish, Paul’s mother began to neglect his needs. And with increasing tension between the Dear’s spouses, his father also moves out of their house. In solitude, Paul seeks comfort from the animals and from his dream. Yes, he is a special child who can speak the language of animals and go on adventures within the boundary of dreams. If that is all the story offers, isn’t it just another Where the wild things are kind of book. But that is not the case. Paul’s devotion to his mother urges him to take on the quest of finding another newborn baby to replace the one they have lost. And where else is a better place to look for a child than the Neverland, or the Anyplace as it’s called in this particular book?

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Why do what we don’t want to?

Because it’s what we should do.

It always come down to that question. “Do what we want or do what we should?” I believe at some point, most people will stop and ask themselves that. It’s not easy to do what one should, because, as always, we’ll make excuses to not do it: It’s not practical, Circumstances don’t allow it, and What is the benefit of it if you don’t desire to do it, etc. But isn’t it the whole point? We have to struggle, we have to look for a reason to go against our better judgement to do what we should do.

Image: i_yudai

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A Philosophy of Evil: “It’s normal to be evil”

A philosophy of Evil, written by Lars Svendsen, is a really thoughtful and well-written philosophy work. The author sheds light on the definition of evil and come up with suggestions on how to deal with it. According to Svendsen, humane is the root of evil. Every one of us is both good and evil. Though the portion of good and evil are varied for different individuals. Only when we come to accept that we’re all capable of committing evil acts, that evil is not an external theology, do we stand a chance against it.

Evil exists because we’re free. The freedom to choose what we want to do constantly put us at the moral stance where we have to distinguish between good and evil, or between a greater and less form of evil. Thus, the lack of judgment will cause the birth of stupid evil, whereas we inflict harm on others due to our thoughtlessness. Svendsen believes this is the most extreme form of evil. Ironically enough, violence, for the most part, is both the instrument of and against evil, albeit used with extreme caution. In the same sense, there is just war which could put an end to another more sinuous war. Though Svendsen also states that just wars should be carried out if and only they met certain ethical requirements.

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Clone Baby: Good Premise, Poor Execution

 

Summary: A struggle to stay alive among 11 clones. A  fatal fight over “the musical chair”, a metaphor for survivor game. In other words, there can be only one clone in the end. Science, murders and secrets are woven into a thrilling story.

Afterthoughts: I need subtitle to fully understand the ending, though I had quite a good idea what was going on there.  I know this is a low-budget project to promote young and unknown idols. Still, I had expected more than what I saw. Clone Baby is a good example of drama whose promising premise was ruined by bad acting, bad writing and bad directing.

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